For this chapter of In Good Company, we moved away from the road and toward a single evening spent in a bar in Bangkok, where two people sit down over a glass of NEIT and let the conversation carry it.
For this chapter of In Good Company, we moved away from the road and toward a single evening spent in a bar in Bangkok, where two people sit down over a glass of NEIT and let the conversation carry it.
Unfolding across four parts, the series steps back from the campaign's earlier travel narratives and lets meaning emerge through presence rather than performance. The film, produced by BRAVÒ and directed by BROGA, offers a plain record of a conversation, left alone to happen.






Woven into the conversation is a layer of Bangkok, filmed as its own thread within the same piece rather than a separate one.
It runs alongside the dialogue instead of illustrating it,
built around tone, texture, and pace.
Together, the four parts form a single continuous exchange, each
returning to the same evening from a different angle,
anchored not to a place, but to the conversation itself.